#Resilio sync ableton update
#Resilio sync ableton Offline

When resilience and security are built into every part of your remote workflow, your team will be just as protected as they did within the four walls of your headquarters: Make sure the platform you choose encrypts files end-to-end, both at rest and in flight. Your data is yours, and no provider should ever have access to it. Modern data transfer and file delivery systems should protect files across whatever internet connection you happen to be using-no VPNs needed. These days you shouldn’t have to sacrifice speed and ease of use for security. Wherever your team works, we’ve got you covered from a security perspective. Here at Resilio, we believe that security has to be built-in to the solution-and not something you’ll have to go to a third party for. Yet, many solutions require VPNs or third-party security services. The cloud and networks in general aren’t always safe for storing and transferring digital assets. None of these myths are a laughing matter, but the issue of security is a particularly pressing one. Production Engineer Sports Central Systems at Turner Sports Myth #3: Remote work isn’t secure For us, that’s Resilio.” ~ Brady Small, Sr. “Some people are stuck in their old ways and workflows. Just integrate them with your existing infrastructure-no installation hassles or Ph.D.-level training required.Īnd if there’s anything that top media businesses do extremely well, it’s capitalizing on cutting-edge trends:

#Resilio sync ableton Offline

Real-time syncing, networking, and offline access-these were significant challenges, especially when integrating with an organization’s existing infrastructure.īut technology has come such a long way in just a few years, and now advanced solutions can work out of the box. Media and entertainment companies are often stuck in a Goldilocks-style problem: the assets are too large, the transfers are too slow, and no solution is just right.Īnd we don’t blame them, because this was true in the past. “But no tools can check off all our boxes!” naysayers will insist, which is why this myth still burns brightly. With Resilio in place and building in other aspects around it to make the content secure, we’ve achieved that in such a way that we can have a more diverse workforce and give our staff more flexibility with how they can work in the future.” ~ Steve Morris, Director of Engineering at Skywalker Sound Myth #2: Technology can’t meet the demands of creative teams “I think the concept of people being more distributed and being able to work from home is here to stay. We’ll double-click on that point in the next myth, but for now, we’ll say that if the leaders at one of the most prestigious studios believe remote work isn’t science fiction, we agree: It shouldn’t be revolutionary to declare that technology should meet the demands of growing global teams, but too many businesses are limiting their potential solely based on the platforms they use. Of course, people aren’t as productive when their file transfer tools aren’t fast or reliable enough or their cloud-based solutions aren’t cutting it.Įvery company can and should be able to work effectively, regardless of industry, location or data needs.

#Resilio sync ableton update

When organizations are widely distributed, they need to share, edit and update large high-value assets-up to 8K or even 16K-across multiple remote locations.īut this isn’t a team problem-it’s a technology problem. When you consider creative professionals’ most common pain points around remote work, you can see why this myth persists. Myth #1: Creative teams aren’t as productive while working remotely At Resilio, we know that creative teams today can work from anywhere, using any device, so we’re here to bust the top 4 myths we hear about remote work in post-production.Īfter addressing each myth, we’ll then explain how post-production teams can make remote work more efficient, as well as why leading studios and creative agencies rely on Resilio to collaborate around the world.

And in the industries of arts, design, entertainment, sports and media, that figure skyrockets to 80 percent.ĭespite the statistics that remote work is here to stay, many opponents still hold outdated beliefs about its efficacy, especially when it comes to collaborative, remote post-production work. According to McKinsey, 58 percent of job holders in the U.S.-the equivalent of 92 million people-say they can work remotely at least part of the time. Three years after the Covid-19 pandemic shuttered businesses nationwide, research proves that working norms have forever changed.